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CDs of the studio XVII augsburg:

Order No. Description Price
96501
Die Baldachinorgel
Die Baldachinorgel

Roland Götz plays works of Buchner, Cabezón Cavazzoni, Kotter, Newman, Preston, Redford, Scheidt, Valente...

No cathedral organ this, just a tabletop instrument with 129 pipes and a nightingale under a canopy. But what a sound - a "cloud"!

15,00 €

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96502
Venezianisches Spinett
Venezianisches Spinett

Roland Götz plays Gabrieli, Facoli, Merulo und Picchi

One plucked instrument, one musician, and only one style period? If you like challenges, this is your CD!

15,00 €

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96503
Samuel Scheidt
Reihe Orgelschätze
Samuel Scheidt

Roland Götz plays the Rindt-organ (1706) of Hatzfeld/Eder.

A particularly fresh and unusual-sounding organ, with very old pipes in it's beautiful case: pure sound magic!

15,00 €

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96504
Jan Pieterszooon Sweelinck
Jan Pieterszoon Sweelinck

Roland Götz plays the Cembalo, Virginal and Truhenorgel.

From finely chissled structures to somberly fascinating outbursts - an overview of the work of the famous "Amsterdam organist maker", without any of his reputed dryness.

15,00 €

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96505
Die Orgelkunst des Frescobaldi
Die Orgelkunst des Frescobaldi

Roland Götz with his Rohlf-organ in Old-Italy-Style

"Götz possesses a near-excessive control of touch. His non-legato can only be described as delicious. Many variations of virtuoso articulation lend clarity to the wealth of musical figuration and reveal the seeming dryness so often attributed to these works to be the result of technical carelessness." (translated from "NZfM")

15,00 €

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96508
Österreichischer Orgelbarock
Reihe Orgelschätze
Österreichischer Orgelbarock

Roland Götz plays works of Froberger, Muffat, Poglietti, Mozart/Eberlin and Richter on the magnificent, pathetic to sweet-sounding Freiwißorgan (1754) of the cloister church at Irsee.

15,00 €

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96510
Augsburgische Orgelrenaissance
Reihe Orgelschätze
Augsburgische Orgelrenaissance

Roland Götz plays works of Erbach, Haßler, Hofhaimer, Isaac, Paix and Senfl on the Wagner-organ (1621) in Rodenbach.

A smaller organ, with "only" eigth registers (in mean-tone temperament), which nevertheless sounds worthy of an emperor.

15,00 €

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96514
Johann Jakob Froberger
Reihe Orgelschätze
Johann Jakob Froberger

Roland Götz plays the Freund-Organ (1642) of Klosterneuburg near Wien.

"Roland Götz presents (Froberger) on the wonderful, nearly perfectly preserved organ (Freund, 1642) of the Stiftskirche at Klosterneuburg. His accompanying texts are at least as finely-tuned as his playing - they alone would have been suffucient to make a Froberger fan of me." (translated from "HiFiVision")

15,00 €

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96515
Johann Pachelbel
Reihe Orgelschätze
Johann Pachelbel

Roland Götz plays the Arp-Schnitger-Organ (1686/92) of Norden.

An intens sound experience, this splendid Schnitger organ in the unusual acoustic of the Ludgerikirche in Norden. What does Roland Götz do with the generally underestimated Pachelbel? His "careful and engaged attention to this master of the organ establishes a musical intimacy of a kind not previously experienced with this composer." (translated from "Concerto")

15,00 €

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96516
Gotische Orgelkunst
Gotische Orgelkunst

Roland Götz plays his Rohlf-organs with music of the Buxheimer organbook.

"Roland Götz is so at home in the language of late Gothic music that he can speak it like his mother tongue. One never has the impression that he is merely rattling off the half-understood. He pursues every detail with sensitive virtuosity, without losing the sense of context in phrase and larger form." (translated from "Musica sacra")

15,00 €

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96517
Spanische Orgelkunst
Spanische Orgelkunst

Roland Götz plays Cabezón, Aguilera de Heredia, Peraza, Correa de Arauxo and Cabanilleson on his Old-Italian Rohlf-organ.

Music with holds the tension between asceticism and ecstasy, impressively revived in the acoustic of the choir of the cloister church in Blaubeuren, at an unusual Orgelpositiv.

15,00 €

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96518
Schwäbischer Orgelparnaß
Reihe Orgelschätze
Schwäbischer Orgelparnaß

Roland Götz plays works of Eberlin, Erbach, Lederer, Nauss, Scherer, Speth and Simon on his Baumeister-organ (1737) in Maihingen.

If one secularizes an old cloister, locks the church, seals the organ and puts it to sleep for two centuries - one shouldn't be amazed if the re-awakened Sleeping Beauty can tell a lot of vived stories from the time of her youth!

15,00 €

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96519
Die Tartaren haben meinen Mann ermordet
"Die Tartaren haben meinen Mann ermordet!"
("The Tartars have murdered my husband!")

Roland Götz plays Alessandro Poglietti.

The Rohlf organ in Traunstein is an inspiring medium for the music of the perhaps most bizarre keyboard composer of the Baroque, Alessandro Poglietti. The court organist of Vienna was murdered in 1683 by Turkish invaders. "This CD unearths a buried treasure... musically convincing." (translated from "FAZ")

15,00 €

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96520
Fugera oder Nassata?
Reihe Orgelschätze
Fugera oder Nassata?

Roland Götz plays Habsburgisches on the Výmola-organ of Stronsdorf (near Wien).

The work of a Moravian organ maker, the instrument (ca. 1750) in Stronsdorf is exceptionally beautiful and well-preserved. Its special "voices" allow a spectrum of expression ranging from pathos to "Weltschmerz" to uninhibited joy. Roland Götz presents music of Haydn, Kerll, Mozart, Eberlin, Muffat, Krieger, Froberger and Wagenseil.

15,00 €

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96521
Neapolitanisches Cembalo
Neapolitanisches Cembalo

Roland Götz performs works of Trabaci, di Macque, Salvatore, Carlo Gesualdo da Venosa, Mayone, Storace, and Strozzi on two different Italian harpsichords.

The roots of the Baroque in music surely are to be found in the South. During the years around 1600, the world seems to fall into a state of disquiet, of easily aroused passions. Beginning in Naples, a thrilling scenario from Weltschmerz through madness to transfiguration opens up: the unheard-of can be heard here!

15,00 €

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96522
Vom Goliath zur Himmelfahrt
Reihe Orgelschätze
Vom Goliath zur Himmelfahrt

South Germany's cloisters contain a veritable treasure trove of well-preserved Baroque and Classical organs. One of the most recently restored of these is the instrument of Johann Nepomuk Holzhey in the church of the former Premonstratensian cloister of Ursberg. Completed in 1776, this organ combines the tonal pathos of the High Baroque tradition with the early-Classical charm of gentle flutes.

Roland Götz presents this instrument in a theatrical program with works of...
Mr. Götz is joined by Baroque violinist Jane Berger for two sonatas by Biber.

15,00 €

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96523
William Byrd
William Byrd

Alman
Pavana Ph. Tr.
Galiarda
Praeludium to ye Fancie
Fantasia (IX: Ton)
Walsingham
The Battell
Pavana Lachrymae
A Jig
Ut, re, mi, fa, sol, la
Wolseys Wilde
Ut, mi, re
The Queens Alman
The Bells
A galliards gygge
Roland Götz, Cembalo

15,00 €
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96524
Francisco Correa de Arauxo
Francisco Correa de Arauxo

Canto Llano de la Immaculada Concepción de la Virgen Maria (Nr. 68; fol. 202)
Tres Glosas sobre il Canto Llano de la Immaculada Concepción de la Virgen Maria: Todo el mundo en general (Nr. 69; fol 203)
Tiento Tercero, de sexto tono (Nr. 23; fol. 59.v)
La muy célebre canción Susana (Nr. 61; fol. 167)
Segundo Tiento de quarto tono (a modo de canción) (Nr. 16; fol. 45.v)
Tiento de medio registro de Tiple de sexto tono (Nr. 44; fol. 112)
Quinto Tiento de medio registro de baxon de primero tono (Nr. 34; fol. 88.v)
Dies y Seis Glosas sobre el Canto Llano: Guárdame las Vacas (Nr. 65; fol. 189.v)
Tiento de medio registro de dos tiples de segundo tono (Nr. 53; fol. 136.v)
Discurso de medio registro de dos baxones de quarto tono (Nr. 56; fol. 146.v)
Tiento de primero tono (Nr. 62; fol. 173.v)
Tiento de medio registro de tiple de sexto tono (Nr. 63; fol. 179.v)
Roland Götz spielt an der spanischen Orgel von Patrick Collon in der Neustädter Hof- und Stadtkirche St. Johannis, Hannover

15,00 €

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96525
Lust auf Suiten
Lust auf Suiten

Gottlieb Muffat: Parthia V
Georg Friedrich Händel: Suite VIII in f-moll
Johann Caspar F. Fischer: Polyhymnia
Johann Sebastian Bach: Englische Suite V
Roland Götz plays on his harpischord after Christian Zell, 1741, by Volker Platte, 2000

15,00 €

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96526
Bayerischer Orgelbarock
Bayerischer Orgelbarock

Roland Götz plays the Salomon organ at Kötzting (Bavaria) with music by Kerll, König, Grotz, Lehner, Muffat, Kobrich, Estendorffer, und Murschhauser a very fine collection of Bavarian Baroque music!

Both the introduction and the booklet text are in German.

15,00 €

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96527
1380-1510
1380-1510

Roland Götz offers a spoken introduction to the music of the time period when the Chapel of St. Vitus in Stuttgart-Mühlhausen was built. He performs some of this music on his own chamber organ by Johannes Rohlf, and on a spinet by Georg Zahl. A Gregorian accompaniment according to the alternating practice of the time is sung by Corona Knibbe.

The performance includes works of Leonhard Kleber (~1490 to 1556), Arnold Schlick ( ~1450 to 1520), Conrad Paumann (~1410 to 1473), Paul Hofhaimer (1459 to 1537), Johannes Kotter (circa 1480 to 1541), Hans Buchner (1493 to circa 1540), and selections from the Codex Faenza (circa 1400). Both the introduction and the booklet text are in German.

15,00 €

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96528
The Balthasar Freiwiß organ of Irsee
The Balthasar Freiwiß organ of Irsee

The Balthasar Freiwiß organ of Irsee, one of the most beautiful and best-preserved Baroque organs in South Germany, has its 255th birthday in 2009. In celebration of the occasion Roland Götz, an expert on this instrument, presents Swabian music of the time in which it was built.

Works of Isfried Kayser, Ludwig Zöschinger, Johann Speth, Johann Ernst Eberlin, Joseph Lederer, Johann Xaver Nauss, Johann Caspar Simon, and Justin Heinrich Knecht are included in this recording, which was produced in co-operation with Radio Berlin-Brandenburg.

The booklet contains program notes in German and English.

15,00 €

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96529
» ... damit GOttes Ehr befördert werde «
» ... damit GOttes Ehr befördert werde «

Meinrad Spiess, prior and music director of the Imperial Monastery at Irsee, died on June 12th, 1761, attended by his fellow monks. His fame as a composer, theoretician, and member of the "Mizler Society" lasted well into the nineteenth century. In honor of the 250th anniversary of his death, the studio XVII augsburg has produced a CD with premiere recordings of representative compositions of this remarkable man. This recording was made possible by the support of the Swabian Conference and Education Center and of the Bavarian Radio.

The recording includes a Lytaniae Lauretanae (with brilliant trumpet soli) which refers to the famous pulpit in the form of a ship which adorns the abbey church at Irsee. Other interesting works include a Miserere setting and a Missa S. Eugenii dedicated to one of the so-called catacomb saints of the Irsee church. The performing forces are oriented to that what Spiess himself had at hand: a boy's choir (the Aurelius Boy's Choir of Calw), supported by historical strings and two clarini (Baroque trumpets).

Performers:
Aurelius Sängerknaben Calw
Strings and trumpets of studio XVII augsburg
Roland Götz, Organ
Conductor: Bernhard Kugler


15,00 €

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