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CDs of the studio XVII augsburg:
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Order No.
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Description
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Price
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96501
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Die Baldachinorgel
Roland Götz plays works of Buchner, Cabezón Cavazzoni,
Kotter, Newman, Preston, Redford, Scheidt, Valente...
No cathedral organ this, just a tabletop instrument with 129 pipes and
a nightingale under a canopy. But what a sound - a "cloud"!
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15,00 €
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96502
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Venezianisches Spinett
Roland Götz plays Gabrieli, Facoli, Merulo und Picchi
One plucked instrument, one
musician, and only one style period? If you like
challenges, this is your CD!
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15,00 €
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96503
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Reihe Orgelschätze
Samuel Scheidt
Roland Götz plays the Rindt-organ (1706) of Hatzfeld/Eder.
A particularly fresh and unusual-sounding organ,
with very old pipes in it's beautiful case: pure sound
magic!
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15,00 €
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96504
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Jan Pieterszoon Sweelinck
Roland Götz plays the Cembalo, Virginal and Truhenorgel.
From finely chissled structures to somberly
fascinating outbursts - an overview of the work of the
famous "Amsterdam organist maker", without any
of his reputed dryness.
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15,00 €
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96505
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Die Orgelkunst des Frescobaldi
Roland Götz with his Rohlf-organ in Old-Italy-Style
"Götz possesses a near-excessive control of
touch. His non-legato can only be described as delicious.
Many variations of virtuoso articulation lend clarity to
the wealth of musical figuration and reveal the seeming
dryness so often attributed to these works to be the
result of technical carelessness."
(translated from "NZfM")
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15,00 €
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96508
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Reihe Orgelschätze
Österreichischer Orgelbarock
Roland Götz plays works of Froberger, Muffat,
Poglietti, Mozart/Eberlin and Richter on the magnificent,
pathetic to sweet-sounding Freiwißorgan (1754) of the
cloister church at Irsee.
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15,00 €
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96510
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Reihe Orgelschätze
Augsburgische Orgelrenaissance
Roland Götz plays works of Erbach, Haßler,
Hofhaimer, Isaac, Paix and Senfl on the Wagner-organ
(1621) in Rodenbach.
A smaller organ, with "only" eigth
registers (in mean-tone temperament), which nevertheless
sounds worthy of an emperor.
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15,00 €
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96514
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Reihe Orgelschätze
Johann Jakob Froberger
Roland Götz plays the Freund-Organ (1642) of Klosterneuburg near Wien.
"Roland Götz presents (Froberger) on the wonderful, nearly
perfectly preserved organ (Freund, 1642) of the
Stiftskirche at Klosterneuburg. His accompanying texts
are at least as finely-tuned as his playing - they alone
would have been suffucient to make a Froberger fan of
me."
(translated from "HiFiVision")
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15,00 €
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96515
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Reihe Orgelschätze
Johann Pachelbel
Roland Götz plays the Arp-Schnitger-Organ (1686/92) of Norden.
An intens sound experience, this splendid Schnitger organ in the unusual
acoustic of the Ludgerikirche in Norden. What does Roland
Götz do with the generally underestimated Pachelbel? His
"careful and engaged attention to this master of the
organ establishes a musical intimacy of a kind not
previously experienced with this composer."
(translated from "Concerto")
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15,00 €
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96516
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Gotische Orgelkunst
Roland Götz plays his Rohlf-organs with music of the Buxheimer
organbook.
"Roland Götz is so at home in the language
of late Gothic music that he can speak it like his mother
tongue. One never has the impression that he is merely
rattling off the half-understood. He pursues every detail
with sensitive virtuosity, without losing the sense of
context in phrase and larger form."
(translated from "Musica sacra")
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15,00 €
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96517
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Spanische Orgelkunst
Roland Götz plays Cabezón, Aguilera de Heredia,
Peraza, Correa de Arauxo and Cabanilleson on his
Old-Italian Rohlf-organ.
Music with holds the tension between asceticism
and ecstasy, impressively revived in the acoustic of the
choir of the cloister church in Blaubeuren, at an unusual
Orgelpositiv.
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15,00 €
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96518
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Reihe Orgelschätze
Schwäbischer Orgelparnaß
Roland Götz plays works of Eberlin, Erbach,
Lederer, Nauss, Scherer, Speth and Simon on his
Baumeister-organ (1737) in Maihingen.
If one secularizes an old cloister, locks the
church, seals the organ and puts it to sleep for two
centuries - one shouldn't be amazed if the re-awakened
Sleeping Beauty can tell a lot of vived stories from the
time of her youth!
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15,00 €
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96519
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"Die Tartaren haben meinen Mann ermordet!"
("The Tartars have murdered my husband!")
Roland Götz plays Alessandro Poglietti.
The Rohlf organ in Traunstein is an inspiring
medium for the music of the perhaps most bizarre keyboard
composer of the Baroque, Alessandro Poglietti. The court
organist of Vienna was murdered in 1683 by Turkish
invaders. "This CD unearths a buried treasure...
musically convincing."
(translated from "FAZ")
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15,00 €
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96520
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Reihe Orgelschätze
Fugera oder Nassata?
Roland Götz plays Habsburgisches on the Výmola-organ
of Stronsdorf (near Wien).
The work of a Moravian organ maker, the instrument
(ca. 1750) in Stronsdorf is exceptionally beautiful and
well-preserved. Its special "voices" allow a
spectrum of expression ranging from pathos to
"Weltschmerz" to uninhibited joy. Roland Götz
presents music of Haydn, Kerll, Mozart, Eberlin, Muffat,
Krieger, Froberger and Wagenseil.
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15,00 €
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96521
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Neapolitanisches Cembalo
Roland Götz performs works of Trabaci, di Macque,
Salvatore, Carlo Gesualdo da Venosa, Mayone, Storace, and
Strozzi on two different Italian harpsichords.
The roots of the Baroque in music surely are to be found in the South.
During the years around 1600, the world seems to fall into a state of
disquiet, of easily aroused passions. Beginning in Naples, a thrilling
scenario from Weltschmerz through madness to transfiguration opens up:
the unheard-of can be heard here!
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15,00 €
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96522
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Reihe Orgelschätze
Vom Goliath zur Himmelfahrt
South Germany's cloisters contain a veritable treasure trove of well-preserved
Baroque and Classical organs. One of the most recently restored of these is the
instrument of Johann Nepomuk Holzhey in the church of the former Premonstratensian
cloister of Ursberg. Completed in 1776, this organ combines the tonal pathos of
the High Baroque tradition with the early-Classical charm of gentle flutes.
Roland Götz presents this instrument in a theatrical program with works of...
Mr. Götz is joined by Baroque violinist Jane Berger for two sonatas by Biber.
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15,00 €
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96523
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William Byrd
Alman
Pavana Ph. Tr.
Galiarda
Praeludium to ye Fancie
Fantasia (IX: Ton)
Walsingham
The Battell
Pavana Lachrymae
A Jig
Ut, re, mi, fa, sol, la
Wolseys Wilde
Ut, mi, re
The Queens Alman
The Bells
A galliards gygge
Roland Götz, Cembalo
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15,00 € Order now
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96524
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Francisco Correa de Arauxo
Canto Llano de la Immaculada Concepción de la Virgen Maria (Nr. 68; fol. 202)
Tres Glosas sobre il Canto Llano de la Immaculada Concepción de la Virgen Maria: Todo el mundo en general (Nr. 69; fol 203)
Tiento Tercero, de sexto tono (Nr. 23; fol. 59.v)
La muy célebre canción Susana (Nr. 61; fol. 167)
Segundo Tiento de quarto tono (a modo de canción) (Nr. 16; fol. 45.v)
Tiento de medio registro de Tiple de sexto tono (Nr. 44; fol. 112)
Quinto Tiento de medio registro de baxon de primero tono (Nr. 34; fol. 88.v)
Dies y Seis Glosas sobre el Canto Llano: Guárdame las Vacas (Nr. 65; fol. 189.v)
Tiento de medio registro de dos tiples de segundo tono (Nr. 53; fol. 136.v)
Discurso de medio registro de dos baxones de quarto tono (Nr. 56; fol. 146.v)
Tiento de primero tono (Nr. 62; fol. 173.v)
Tiento de medio registro de tiple de sexto tono (Nr. 63; fol. 179.v)
Roland Götz spielt an der spanischen Orgel von Patrick Collon
in der Neustädter Hof- und Stadtkirche St. Johannis, Hannover
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15,00 €
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96525
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Lust auf Suiten
Gottlieb Muffat: Parthia V
Georg Friedrich Händel: Suite VIII in f-moll
Johann Caspar F. Fischer: Polyhymnia
Johann Sebastian Bach: Englische Suite V
Roland Götz plays on his harpischord after Christian Zell, 1741, by Volker Platte, 2000
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15,00 €
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96526
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Bayerischer Orgelbarock
Roland Götz plays the Salomon organ at Kötzting (Bavaria) with music by Kerll, König, Grotz,
Lehner, Muffat, Kobrich, Estendorffer, und Murschhauser a very fine collection of Bavarian Baroque music!
Both the introduction and the booklet text are in German.
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15,00 €
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96527
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1380-1510
Roland Götz offers a spoken introduction to the music of the time period when the Chapel of St. Vitus in Stuttgart-Mühlhausen was built. He performs some of this music on his own chamber organ by Johannes Rohlf, and on a spinet by Georg Zahl. A Gregorian accompaniment according to the alternating practice of the time is sung by Corona Knibbe.
The performance includes works of Leonhard Kleber (~1490 to 1556), Arnold Schlick ( ~1450 to 1520), Conrad Paumann (~1410 to 1473), Paul Hofhaimer (1459 to 1537), Johannes Kotter (circa 1480 to 1541), Hans Buchner (1493 to circa 1540), and selections from the Codex Faenza (circa 1400). Both the introduction and the booklet text are in German.
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15,00 €
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96528
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The Balthasar Freiwiß organ of Irsee
The Balthasar Freiwiß organ of Irsee, one of the most beautiful and best-preserved Baroque organs in South Germany, has its 255th birthday in 2009. In celebration of the occasion Roland Götz, an expert on this instrument, presents Swabian music of the time in which it was built.
Works of Isfried Kayser, Ludwig Zöschinger, Johann Speth, Johann Ernst Eberlin, Joseph Lederer, Johann Xaver Nauss, Johann Caspar Simon, and Justin Heinrich Knecht are included in this recording, which was produced in co-operation with Radio Berlin-Brandenburg.
The booklet contains program notes in German and English.
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15,00 €
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96529
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» ... damit GOttes Ehr befördert werde «
Meinrad Spiess, prior and music director of the Imperial Monastery at Irsee, died on June 12th, 1761, attended by his fellow monks. His fame as a composer, theoretician, and member of the "Mizler Society" lasted well into the nineteenth century. In honor of the 250th anniversary of his death, the studio XVII augsburg has produced a CD with premiere recordings of representative compositions of this remarkable man. This recording was made possible by the support of the Swabian Conference and Education Center and of the Bavarian Radio.
The recording includes a Lytaniae Lauretanae (with brilliant trumpet soli) which refers to the famous pulpit in the form of a ship which adorns the abbey church at Irsee. Other interesting works include a Miserere setting and a Missa S. Eugenii dedicated to one of the so-called catacomb saints of the Irsee church. The performing forces are oriented to that what Spiess himself had at hand: a boy's choir (the Aurelius Boy's Choir of Calw), supported by historical strings and two clarini (Baroque trumpets).
Performers: Aurelius Sängerknaben Calw Strings and trumpets of studio XVII augsburg Roland Götz, Organ Conductor: Bernhard Kugler
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15,00 €
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